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The two singles released to date by Ashnymph defy easy classification: their own description of their music as “subconscioussion” doesn’t offer many clues. The first single Saltspreader married a jackhammer industrial beat – bandmember Will Wiffen has sometimes been seen on stage sporting a shirt that displays the emblem of Godflesh, icons of industrial metal – with vintage-sounding synthesisers and a riff that partly brings to mind the enduring garage rock anthem I Wanna Be Your Dog, before melting into a wall of disquieting noise. The planned result, the group has mentioned, was to conjure highway journeys, “the grinding circulation of vehicles 24-hours a day over vast spans … orange lights at night”.

The subsequent track, the song Mr Invisible, occupies a space between dance music and left-field alt-rock. On one hand, the cut's tempo, layers of hypnotic electronics, and singing that comes either trippily blurred or hypnotically looped in a way that recalls Underworld's Dubnobasswithmyheadman period all indicate the club floor. On the other, its intense performance-style shifts, brink-of-disorder feel and overdrive – “getting that crisp distortion is a personal mission,” the musician stated – mark it out as very much the work of a band rather than a solitary home producer. They've performed around south London’s DIY scene for less than a year, “any venue that cranks the volume”.

But the two tracks are vibrant and distinct – from one another and anything else around at the moment – to make you wonder about the band's future direction. Regardless of the form, on the basis of these two singles, it’s probably not dull.

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